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Sunrise on Lake Pisgah2.jpg

There is a magical quality in the early morning of central Indiana.  I love driving through the mist and fog that is collected in lower places.  The sunlight is diffused in a yellow glow as it tries to penetrate through.

This is a painting of Lake Pisgah.  The sun just peeks over the horizon.  You see it twice, in the air and reflected in the water.  The morning mist can be seen in the trees across the lake, and sky and treeline are mirrored above and below the horizon line.  Before the sun gets very high, the sky is a pinkish tone.

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spring-stroll[1].jpg

I love the spring.  The air is warmer, the birds are singing, and the trees come out in blossom.  This painting combines some of my favorite techniques while showing off the beauty of the season.  I have atmospheric perspective.  The stop sign on the left looks closer than the person on the right because it is painted larger than she is.  There is linear perspective.  The roadway is wider the closer it is to us, then narrows as it goes further.  Both of these techniques give a feeling of depth in the painting.  The shadows and light give the feeling that the sunlight is shining towards us.  If only I could portray the aroma of the blossoms in the tree!

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Rose Demo.jpg

This is a demo I did of a still life in a recent class I taught.  I always use a tinted canvas.  I find that a white canvas doesn’t show color properly  —  it tends to create a pastel looking painting.  I fill the canvas.  I find the bottom of the scene, then figure where the top will fit, next I measure to see where everything else fits.  I draw the scene quickly, then begin by painting the darkest darks and the lightest lights.  Nothing can go darker or lighter than those.  Next I begin looking for shapes and values.  I don’t try to paint apples, but instead, look for shapes and values that might be on the apple.  I put the shapes together, like a puzzle and they become an apple.  I don’t mix colors, but paint pure colors.  The right side of the rose might be light orange, but the left is a deep red.  I do the same with the stem and leaves.  Next I quickly paint a color in for the background and foreground to make sure it is right.  This is the foundation of my still life painting technique, and it works very well for me.

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my wife.jpg

One of the nice things about being married is you have a model to draw or paint all the time.  I do two or three pencil sketch portraits of her every day, and quite often I’ll ask her to sit for an oil portrait.

I like to light my portrait subjects from the side and show shadows and highlights on the face.  There are some subtle things that can be done, such as color reflections.  The painting on the left shows the red from her shirt reflecting on the side of her face and above her neck.  The lips are a smoother surface, and always pick up a highlight.

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Along the Thames.jpg

I’ve always spent most of my time in London on the north side of the Thames.  That is where most of the famous tourist sites are.  The last time I was there, I walked across the bridge to the south side and headed west.  It was a lazy Sunday afternoon, and crowds of the locals liesurely strolled along the path.  It was very pleasant.  Street vendors and mimes entertained everyone.  The entrance to the Millenial Eye, London’s famous ferris wheel, is on that side too.  I was so impressed  with the enjoyable low key atmosphere and the great view of the Houses of Parliament across the river that I had to try and paint it.  I hope you can feel the warmth and relaxed atmosphere.

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Pastor.jpg

I had the privelege of doing the portrait of Pastor Isaac.  He has a church in Fort Wayne, Indiana.  I wanted to portray him as a spiritual man with symbolic representation of the “light of the gospel.”  I had him next to a sheer curtain which diffused the light on his robes and the opened Bible.  I tried to give a delicate look to the pattern of the curtains, and wanted to give a shiny look to the gold sash on the robe.  Hopefully I presented him and his message in a simple, yet sacred manner.

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portrait show.jpg

Last year I did a portrait show at the Sherrus Gallery in Northville, Michigan. I had gotten snapshots of prominent community members. They didn’t know what was going on. I painted eighteen portraits.  Then the ones who were painted received special invitations to attend the opening reception. They were very surprised to see themselves on the wall. I love doing portraits.

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Apples and Cup No 2.jpg

I taught a still life class this morning. This is how I painted the subject today. You can see three types of light. The light from the lamp I used is yellowish, like all light bulb light. You’ll see hints of yellow on the tablecloth. The other kind of light comes from the window. It is blue light coming from the sky. You can see subtle blue highlights on the apples and on the tablecloth. There is also reflected light. If you look underneath the apples you see yellow reflecting from them on the cloth. There is reflected light on the cup, from the apple, the window and the light bulb.