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I’ve known a lot of accomplished musicians in my lifetime. If there is one thing that sets them apart from everybody else, it is PRACTICE.

The same is true of artists. Many people complain that they don’t have time to practice painting or drawing. I’ve found that the best thing for me is to always carry a drawing book with me wherever I go.

The past three weeks I’ve spent a lot of time away from home between Ontario and Utah. My drawing book goes with me. When I’m on an airplane, I always grab the magazines and draw the pictures from them. I try to sketch the people sitting next to me. It’s hard on the neck, but it makes good practice. I draw the people who are sitting in waiting rooms or people who are giving speeches.

These are two examples of my recent travels.

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Many years ago I went on a deployment with the U.S. Air Force Reserves to Hawaii. After we got checked in, they gave us free time. I went with some buddies to Waikiki. The bus let us off downtown. I had dreamed of visiting the beach there since I was a little kid, so I was especially excited. My buddies were more interested in shopping for souvenirs, especially tee shirts. I was bored out of my mind and really mad because I wanted to see the beach! Finally, I just walked away from them. They followed me. I went between some buildings. There was the beach. This was the scene I saw. They acted like it was their idea to go there. Hmmmm.

I tried to show the reflection of the sunset in the water by putting the red and orange between black lines that represent waves. Note the person. It is a silhouette. I think that is what makes the painting.

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If you want to create a beautiful still life painting, one way to guarantee it would be to have it lit by natural light from a window. Put it on a dark table top. Have one object be clear glass, the others of shiny surface. Keep the background fairly dark.

The dark table top will reflect the object. This photo shows a goblet. If you squint at it, you’ll see white lines. Paint the lines just as you see them. Notice the stem of the glass reflects underneath the base. You’ll paint the dark tone all the way around the goblet, then inside of it where it is the same value. There are some areas with lighter value. Put them where you see them.

The apple and the figurine both have white highlights. Put them in first so you’ll know where they go. Then draw the shapes of the different values you see in both items, painting them in later with the correct colors and values.

What will really make the painting “SING” will be how you handle the reflections underneath them. The values of the reflections are not as bright. The left edge of the apple reflection is dark, so it gradually goes from very dark and almost unknown to the faint red color.

Try this technique. You’ll love it!

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I love doing figurative paintings. This shows a typical scene at a city park. I’ve tried to show the gesture of the people, as well as the reflected light on the platform. The background shows gently rolling hills. Hopefully you can feel the excitement.

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ashley-painting5I’ve been in Michigan since New Year’s Eve. I am painting individual portraits of a family on 10” x 10” canvases. They will be hung in a row in a hallway.

This painting is of their oldest daughter, Ashley. The painting is done freely trying to show her personality in her face. You will notice the paint strokes are done in the direction of the planes of the face and that the skin tones reflect highlight and shadow. Note the shadowy areas are bluish, the highlights more yellow.


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paintbrushes-on-chair

This still life shows paintbrushes in a mason jar and tubes of paint sitting on a chair. The chair is included to show atmospheric perspective. It demonstrates the size of the jar against a larger object. Also notice the reflections in the seat of the chair.

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My son Jared is here from Macon, Georgia to visit for the holidays. He has his MFA in art and teaches at Bloomfield Middle School. We enjoy painting together, so there are two easels being used in my studio right now.

He asked if I’d do his portrait this afternoon. He handed me an 11″ x 14″ canvas. I had him sit on the couch for about forty-five minutes while I painted.

When I do a portrait I make a basic oblong shape for the head, draw a line across the middle where the eyes go, go halfway between the eyes and the chin and draw a line where the bottom of the nose goes, then the last line goes halfway between the bottom of the nose and the chin. This is where the bottom of the lip goes. I draw in the shapes of the darkest values, the middle values, and the light values. I mix a dark, medium and light value, usually using alizarin crimson, yellow ochre, and white. Then I paint in the shapes according to their shades. After that, I play a little with other colors if I need them.