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Umbrella-004
Here’s another watercolor. It’s of downtown Indianapolis while it is raining. What makes it look wet are the reflections of the headlights of the cars. The road on the downtown circle is brick. I haven’t painted each brick individually, but have put a few lines and random color splotches which gives the impression of the brickwork. Watercolor is so delicate. Everything has to be a hint of what is actually seen because it is so tricky to use watercolor, and mistakes can’t be corrected.

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Watercolors and Flowers 017

When I got my art degree, one of my professors told me “Real Men Don’t Do Watercolors.” I pretty much have stuck to oil painting. My uncle, LaVere Hutchings, was an excellent watercolorist, http://www.art.com/gallery/id–a2731/lavere-hutchings-posters.htm for some samples of his work. I  was overwhelmed by his talent and haven’t dared to try watercolor before. Finally after many, many years, this is my first real attempt. It’s such a different feeling from oil painting. It’s fun, though. Maybe I’ll try it again.

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Summer-Rain-003

I used to hate it when it rained. I thought it ruined everything. Later on in my life I started noticing that wet roads were like mirrors and there were beautiful colors in the scene. I wanted to do a painting of people on a rainy day in the summer. You’ll notice their reflections are upside-down below them and are slightly distorted. This give the illusion of being wet. Another important thing to me is I don’t try to do a detailed portrayal of the people. We really don’t see that in real life. I work on shapes and values. Look at the lady with the umbrella on the right. Her face is just two colors, but your mind makes you think it’s okay.

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Heron final 003

Often when I’m paddling my canoe, I go around a bend and see the head of a blue heron sticking up. It notices me, then it takes off with it’s big wings and long legs. What a stunning view!

I did this entirely by palette knife. I would get paint on it, then scrape it on the canvas. This gives an interesting texture. I’ve used contrast, like the light head against the dark background to give drama to the picture.

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Harbor Morning 001

l love boats. It’s great, sitting in them as they bob up and down in the water. The air smells good.  The seagulls sing. The blue shadows are in contrast to the golden hues of the sunlight. This painting has a lot of atmospheric perspective — the boats are big, sharp and colorful. The houses on the hill are small and subdued. This gives a feeling of depth.

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Carly 007

This is Carly Berrett. She lives in New York City. She’s earned bachelors and masters degree in dance and has even taught on the university level. She’s following her dream. I really respect that. I appreciated her letting me portray her in oil paint. I wanted something with motion in it.  I think it worked.

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Norene nupastel 007

I get tired of painting all the time. Sometimes I want to do a free-flowing sketch. That happened today. I asked Norene to sit next to the window. I used brown nupastel to sketch her. First I put a light background, then began simply drawing the shapes of her head, eyes, nose and mouth. I didn’t do much shading. I lightly drew the contours of her face. I rubbed some of the shaded places with my thumb. I wanted to show the highlight of her eyes. This actually makes them come alive. It was relaxing to just let my emotions go for a minute.