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Leaky-Louise-0091
When I was raising my children I built my own canoe. My kids and I went fishing many times in the high mountain lakes of Utah and Idaho. We caught thousands of trout. After a while, the body of the canoe became brittle and cracked. I had to tape up the bottom with duct tape to keep water from leaking in. Because of this I named my boat “Leaky Louise.”

The main technique I’ve used in this painting is “foreshortening.” The canoe and the front paddle are painted in a shortened manner which gives a feeling of depth.

11

December-Portrait-006
In September my daughter took me to Old Town in San Diego. I’ll have to say it is my favorite place in the state of California. It portrays historic events from the settlement of the state. There are blacksmith shops, churches, old homes, galleries and restaurants. My very favorite area is Fiesta de Reyes. It  represents old Mexico. It is absolutely beautiful with it’s landscaping. Musicians serenade the customers. There are many wonderful restaurants.

I was drawn to one of the outdoor restaurants. I couldn’t help but notice the hostess. She was so enthusiastic and cheerful. I could tell she loved her job and the people she served. I’m pretty picky about who I do portraits of, but I knew I wanted to paint her. I asked her if I could. I was so glad she said yes.

The most important thing in a portrait is the eyes. As it has been said, they are the window to the soul. In this portrait you’ll see I have her slightly turned and her head goes off the top of the canvas. These techniques add interest and draw the viewer directly to the subject.

11

Mattakese-Wharf

My wife and I had arrived in Cape Cod with our daughter and her husband. We were on a trip to our ancestral home – Barnstable Massachusetts. We checked into the fabulous Ashley Manor, the best bed and breakfast in Cape Cod. We were so thrilled to be there . . . we felt the spirit of our ancestors so strongly!! The owner suggested we go to dinner at the Mattakese Wharf Restaurant. We did. We got there just as the sun was setting. The restaurant overlooked Barnstable Harbor. The view absolutely took my breath away! I had to paint that amazing scene!

I’ve tried to portray the feel of the air, the smell of the water  and the glow of the sun. Note the complimentary colors of the orange sun and the blue shadows. There is a strong contrast with shadow and light.  With these techniques I hope to have expressed the feelings we felt on that enchanted August night.

8

Norene-Sketches-0023
Quite often I realize I’m trying to do artwork to impress someone else. I wonder what other artists might think, or if I would be able to impress the judge of a juried art show. The problem with this is I lose the enjoyment of doing my art.

Today I felt like doing a quick pastel sketch of my wife. I just let it go and used whatever colors and values I felt like. I thought it was fun. Who cares what anybody else thinks?

7

I remember when I’d had a particularly stressful day. When I got home I was really upset. I just couldn’t get over it. My wife suggested I get my oil paints out and paint something. I told her I didn’t know what to paint. She grabbed one of her mason jars, put my brushes in it, set some of my paint tubes next to it and said, “Okay, there you go.” At first I thought it was kind of stupid, but once I got started, I was having fun. I finished it in a half hour. I felt really happy.

The first thing I did was draw a quick outline of the objects. Then I looked for shapes and values and painted them in, one by one. Instead of being intimidated by the glass, I stared at it and saw shapes of color showing through from the wall behind it and from the table below it. Next I found the highlights and put them in. There were reflections of the light blue venitian blinds, so I  determined the shapes, mixed the color and painted them in. The brushes had a shadow on their left sides. I did a quick dark line for each of them, then on the right side I painted a single color on each to represent the non-shadow parts. I didn’t get detailed. You will see I did the same thing with the paint tubes – there are different shapes of white – some with a blue tint, others kind of yellow, etc. The diagonal is the edge of the table. I just painted it brown, like the color of the wood, then I did a quick representation of the wall in the background.

Artists often try too hard when doing a still life. If they simplify, they’ll have much better results.

4

One of my favorite stories in the Bible is actually mentioned in Matthew, Mark and Luke in the New Testament.

It talks about a woman who had a disease, an issue of blood for twelve years and had spent all of her money trying to be healed by the doctors. When she had heard of Jesus, she thought that if she could touch his clothes she would be healed.

There was a large throng of people. As Jesus passed by, she touched the hem of his garment and was healed. Jesus immediately wanted to know who touched his clothes. Jesus “immediately knew that virtue had gone out of him, turned about in the press and said, Who touched my clothes?”

His disciples mentioned that there was a huge crowd. Jesus looked around to see the woman. She feared and trembled, probably thinking he would be angry with her. She fell down before him and told him what she had done.

“And he said unto her, Daughter, thy faith hath made thee whole;  go in peace, and be whole of thy plague.” See Mark 5:25-34.

I’ve tried to give a real-life portrayal of this story. A technique I’ve used is creating sunlight and shadow. Sunlight has a yellow tint to it. The shadow usually is a reflection of the sky, so it is generally blue. Notice the yellow on the left side of the clothes and the blue on the right.

7

David Owen is a friend of mine. We’ve spent a lot of time together doing art. He does great pastels, drawings and oil paintings. He does landscapes.

Recently I asked if I could do his portrait. I met him in his studio. I took photos of him from a lot of different angles – some with him standing next to his easel, others showing him painting. When I looked at all of the pictures, I felt more interested in a facial study than a typical portrait. That’s just what I did.

You’ll notice his face is turned slightly to the side and he is looking down. This is portrayed by having the forehead area much larger than the chin, and the right side  of his face is actually smaller in area than the left. His glasses show up below his eyes, not because he’s pushed them down his nose, but because of the view from above. Also notice the different planes of the face with a variety of color and values.

4

I remember holding her–my heart was on fire. I couldn’t live without her. She was my new bride.

We’ve spent approximately four decades together raising kids, working, losing jobs, getting new ones, watching loved ones die, electing presidents, marrying off our kids, enjoying grandkids. Last year she sat by my bed as I was on life-support for nineteen days. She’s spent several months now, nursing me back to health. My heart is still on fire — only more so.

I’ve portrayed our wedding day as I want it to be remembered for generations. As usual, I break things down to shapes, values and colors. Her veil is made up of different colored blocks. My hair has many shades and values.

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