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Madison Bridge_1.jpg

 

The Ohio River is the border between Indiana and Kentucky.  One of the most scenic and historic towns in Indiana is Madison.  There are a lot of old mansions there.  Each year they have boat races on the river.  I really  love it there.

One night I took my wife there to spend  the night.  We stayed in a hotel at the east end of town up on a hill.  We really didn’t know what it would look like in the daytime.  When we got up in the morning we stepped out on the balcony to see this spectacular scene  —  there was a bridge going over the river to Kentucky.  Mist was rising from the water.  The fall colors were brilliant.

When I painted the scene I did everything from the river and up the hills in  a very pale white, then gently layed in some color to give the misty, foggy feeling.  The bridge was done loosely with faint portrayal of structure.  I painted the river white and put a little reflection in it to make it “wet.”  There is not a lot of detail in the trees or buildings, just a block of color here and there.  The lone car on the road gives life to the picture.

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Train.jpg

There is a park near where my children grew up that used to have a rocket ship slippery slide.  You would climb up inside of it, then go down the slide.  Kids liked to link up and ride down together.  This painting represents the excitement they would have when they travelled down in a train.

The background is basically non-detailed because the focus is on the children.  The faces are done in a quick, impressionist method to give the feeling of motion.  Since their faces are not done in a photo-realistic manner, they could be anyone’s children.  I have portrayed each face with a different kind of expression.  My intent was to creat the feeling of the excitement and innocence of youth.

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Classroom Demo.jpg

Whenever I teach my still life oil painting class I do a quick demo. I try to show the students the techniques that will help them do a successful painting. Often they don’t see the same things I do, and while I’m painting they become aware of the things they didn’t see before. Obviously, this is not a finished work. My technique is to find shapes of colors and values, then put them together like a jigsaw puzzle. Another thing I see is the different type of light – the bowl has light on the right side that is a blue tint. It is a reflection of the sky coming in from the window. On the left side is yellow light from the indoor bulbs. The metal cup reflects different light values, and they are indicated by long stripes down it. The shadow to the right of the bowl is a light blue-violet.

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's Place-1.jpg

I used to be represented by a gallery in Rising Sun, Indiana.  It is a charming town along the banks of the Ohio River.  You can look across at the village of Rabbit Hash, Kentucky.  The gallery owner suggested we have lunch at Arlene’s which was down the road a ways.  It had great views of the river and the food was good.

The techniques I’d  like to mention are reflections in the water and atmospheric perspective.  To do the reflections, just paint the image of whatever is above the water, then paint some white or light blue strokes through it.  That’s all you need to do.   For the atmospheric perspective, remember that cool colors recede and warm colors come forward.  The grass by the building is warm green, but the hills are further back, so it is lighter and has a bluer hue.

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French Pastries.jpg

My wife and I went on a trip to Britain.  We travelled the whole island.  On the last full day we were at Dover.  We went to a pub for lunch.  On a countertop was a brochure with a Renoir painting on it.  I love Renoir, so I grabbed it.  It advertised a round-trip ticket on the hovercraft from Dover to Calais in France.  I hadn’t been to France.  When I saw the price, I  was sold.  It was 8 pounds.  We hurried to the port and bought tickets.  Unfortunately, my mother fell down and broke her kneecap.  Still, she wanted to go.  This picture shows Mom sitting with her sore leg straight out.  She and Norene are eating pastries.  We were waiting in the glass enclosed bus stop.

Note the reflected light on the side of Norene’s face.  Norene and the gentleman by her only have one leg visible.  That is because the others are in shadow.  There is no detail on his face.   Your mind fills it in.  There is a reflection of a car  which gives the illusion of glass behind them.

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Family Reunion.jpg

This is a remembrance of a family get-together in my father-in-law’s back yard in Utah.  I have a hard time sitting in the sunlight for a long period of time, and Utah is not known for being heavily wooded.  However, his yard is beautifully landscaped and it was fun to be together with people I love.

I have been called an impressionist.  This painting was done in an impressionistic method  —  it gives the feeling or impression of a moment in time.  You can see the people and the place they are at, but it is not photorealist.  I have portrayed the persons by basic colors and shapes.  Your mind is free to do the rest.  Besides, it is very hard to put much detail in such small spaces.  Also there is atmospheric perspective.  With the placement of things, the closer things look larger, while things further away are smaller.  I have also portrayed things so that they look like the viewer is looking down on the scene.

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viennese-waltz[1].jpg

When my wife and I were a young married couple we danced in the Southern California Regional Dance Festival. It was in the Rose Bowl. There were 8,000 dancers. Our group did two dances, the minuet and the viennese waltz. We wore fancy clothes. We both had powdered white wigs. My wife wore a gold satin gown and I had a gold jacket, I had white, long stockings that went to my knees, short pants, and buckles on my shoes. She enjoyed twirling around and her skirts blossomed open.

When I painted this flower it reminded her of her skirts, thus the name of the painting. Note the contrast  —  the white petals against the dark green background. Also you’ll see different colors on the petals  —  yellow from the sunlight, blue reflecting the sky, and of course, the red that is naturally there.