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sugar creek_1.jpg

Shortly after I moved to Indiana ten years ago, my friend Joe taught me how to fish for smallmouths in the rivers.  We’d just wear our swimming suits, a tee shirt, tennis shoes, sunglasses, and a ball cap.  We would wade down the stream and cast our lines to the sides near tree roots.  Soon we’d have a hit and the water would splash as we reeled in a nice smalley.

I’ve always enjoyed water and have loved painting the rivers here.  This painting is of Sugar Creek in central Indiana.  It shows what it looks like in the early evening.  The trees in the distance have sunlight on them, so I painted warm colors  —   light green, orange, brown.  The closer ones are in the shadows, so they have been done in bluish tones.  The colors of the sky and sunlit trees are reflected in the water.  If there was sound you’d hear the cicadas singing in the trees and my feet splashing in the water.  This is one of the things I love about living here.

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This is a video clip of a recent art show at the Green Door Fine Art Gallery in Greenwood, Indiana.  I was the featured artist, so you can see what my paintings look like, as well as what it feels like to attend an art opening.This show featured many cityscape paintings of Indianapolis, San Francisco, and other places as well.

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Delicate Arch.jpg

When I was a ten-year-old kid, my family went with my grandparents to visit Arches National Monument.  (It is now Arches National Park)  I was fascinated by the huge sandstone formations and giant rocks.  I loved climbing all over them.  I felt like I was in in a fairyland.  Later on in my life I’ve traveled there and have felt the same magic.

This is Delicate Arch.  If you ever make it  to Arches you should take the hike to see it.  It is really awe inspiring.

I have used complimentary colors as I painted the blue sky versus the red sandstone.  There is atmospheric perspective as you look at the background and see the bluish mountain range in the distance.  Also notice the many shades of red in the arch and the rock ground beneath it.

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Indy  Morning.jpg

I’ve always liked to see the early morning light and shadows in the city.  This is in Indianapolis.  I’m looking northwest on Virginia Street.  At the center of the painting is the Soldier’s and Sailor’s monument.  It is right at the center of the city.  I have portrayed the feeling of sunlight by using warm colors.  The orange color on the building on the left gives the feeling that the sun is shining brightly on it.  Normally it is a red brick structure.  At the bottom and the side you see shadow which is darker and a bluish purple color.  The other building in the background has a light yellow side where the sun is shining, while the shadow side has a blue tint.  The building on the right is in the shadow.  Normally it would be white, but because it is in shadow it is bluish.  The no parking sign has light and shadow and is painted accordingly.

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Weird Fish Painting.jpg

I’m almost embarrassed to show you this painting.  I did this painting in college.  I think the fish are fun, but the red, pointy borders are horrible!!  Still, I portrayed different kinds of fish with light reflecting from them.  The big fish at the top is scary and looks like he’ll eat you.  I’m not quite sure why I put this one on the blog, and I’ll probably regret it, but what the heck.

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rhapsody in blue.jpg

My uncle was a concert pianist. The last time I saw him alive was at an outdoor concert he played with a symphony orchestra. They played Gershwin’s “Rhapsody in Blue.” It has been a favorite of mine since then.

I gave it that name because the glass building known as the Indianapolis Artsgarden reflects the blue sky. It is surrounded by high rise buildings of different colors. It is though there is a symphony of sights as you look upwards, and the Artsgarden sings out in blue.

The sun shines bright, the orange and white buildings stretch upward. The blue structure starts it’s solo as the sunlight begins to illuminate it.

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july demos.jpg

I teach a still life oil painting class.  I always have two or three set ups to paint from which are lit from the side with lamps.  The lights are turned off.  This gives a great contrast of light and shadow.

The demos are done quickly, just to give the students an idea of how to paint them.  I try to teach them some of the elements of art during this time.  These paintings are never completed.  I just want to give the feel of what can be done.  The painting on the left has a pitcher and bowl.  They are white, but with the light and shadow many different values and colors can be seen.  The one on  the right is to give the artists what to look for in a bowl of fruit  —  how to look for the different shapes of color with it’s highlights and shadow.  After I’m through doing the demonstration I expect my students to see what their own interpretations will become.

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Norene in Pen.jpg

To become good at most things takes a lot of practice.  This would include playing the piano, singing, dancing, and art.  I draw four or five portraits per day.  Quite often I am using a ball-point pen.  I find that if I can draw well, my painting does well.  Also I’ve found I do much better doing a portrait from a live person than a photograph.  People have asked me to draw from a photo, but this method is rarely satisfying because the photos usually  are flat looking, have no dimension to the face, and are just too hard to read.  I recommend doing at least a half hour of drawing practice every day, and to draw from life.