12

Some portraits are done with the subject looking straight at you.  Others just show a profile.  A three quarter view is something in-between.  That is what this one is.  The subject is looking sideways but still both eyes can be seen.

This is my wife, Norene.  She was watching television.  I felt like doing a quick painting of her.  I didn’t want it to look like a photograph.  I could do that with a camera.  Instead, I wanted to put feeling into it, much like a musician does when they play their instrument.  I just let my brush flow.  I didn’t worry too much about colors, but instead, was random.  The finished product is an expression of emotion as I saw my wife.  I am happy with it.  That’s all that matters.

You will notice that her face is on the left side of the canvas with the right side being empty.  Imagine the edges of the canvas being a doorway.  She would be leaning against the left side with the right side being open.  If her head were further to the right, it would appear that she was going to run into the other side.

16

This is a painting of North Main Street on the courthouse square in Martinsville, Indiana. Note the combination of both organic and geometric shapes – the tree is organic and the buildings are geometric. The tree frames the buildings. Their contrast makes the picture pleasing to the eye. I have also used atmospheric and linear perspective; atmospheric because some items are larger than others, and linear because the sidewalk is wider at the bottom of the painting than at the top. Both of these types of perspective give the appearance of depth.

I have used complementary colors. Orange is the complement of blue. This gives a visually exciting feeling. Look at the blue building next to the orange one. I have always been  more interested in painting buildings with a few trees than a whole painting of a field or forest. The use of cars or people add interest to the picture.

When I start a painting like this, I don’t think about doing trees, buildings, or cars. Instead, I look for shapes, then draw them in. After the shapes are on the canvas, I fill them with the actual color or values of colors until the painting is finished.