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flora-blanca1[1].jpg

When my son got his master’s degree at Miami University in Oxford, Ohio, my wife and I were able to accompany him to the home of the president of the University. There was an open house for all the graduates and their parents. I was very impressed with the home, and especially the yard. Flowers were blossoming everywhere. Their scent perfumed the air. I was especially impressed with the blossoming dogwood trees as they were silhouetted against the late afternoon sun.

I had to try to recreate the magic of the blossoms. You can see the direction of the sunlight that hit the petals. It comes from the left side of the painting. There is a brilliant yellow white. The shadow side is blue and violet. You see the sun and shadow on the leaf, and the dark background gives the scene a dramatic contrast.

8

closing-late[1].jpg

I had been at an art opening in Rising Sun, Indiana. It is a scenic little town on the shores of the Ohio River near Cincinnati. The show was over and my son and I were taking things across the street to my car. It had been raining. As we turned around and looked at the buildings, we were blown away by the beautiful reflections in the street! I knew I had to paint that scene.

The bright store front and street lights make yellow and white reflections. The reflections on the side of the building are strictly from the light coming out of the windows. Another interesting note is that you don’t see the top of the building on the side. The sky and the building are both dark, so all that is seen are the windows. Your mind puts in the roof line even though it isn’t visible. The lone car is waiting for someone to close up shop and to take it home.

9

piazza-of-san-marco[1].jpg

This painting is in Venice. I have tried to give it depth by using atmospheric perspective – the people who are closer are larger, the ones further away  are painted smaller. The closer ones have more detail than the ones further back. I wanted to make it look like it is raining. Notice all the umbrellas. You see reflections on the ground so you’ll know it is wet. Another thing I did to add interest was to have the vendor wear yellow and include a child who is talking to him. Of course one of the main things to look at is the cathedral with it’s domes.

I included pigeons on the ground because It reminded me of my grandson. He chased pigeons at public squares in Madrid, Paris, Rome, London, and many other locations. He was about six years old. He would see them, then run as fast as he could, making them scatter.

3

coming-and-going[1].jpg

I had been to the Indiana State Fair. I was intrigued by the people I saw. They were all sizes and shapes and every color.

When I tried to paint what I’d seen, I used atmospheric perspective to give a feeling of depth. I had the closest people larger, with more distinct coloring. Note the woman with her two children. As the people were further back, the detail in their faces began to fade. The man pushing the stroller has some features showing, but the people in the top right of the painting have no facial characteristics. Your mind automatically puts that info in for you. Also the ones further back are smaller and the colors fade.

8

Clarinet1.jpg

My wife wanted me to paint a still life. I told her to go ahead and set up the scene, but make sure it was somewhat difficult. She pulled out her clarinet. She played it in Junior High. I don’t know if it has seen the light of day since then.

I lit everything from the right side. Notice the reflected light on the bottom of the bell and the light directly from the lamp. The mouthpiece cover has the same type of lighting.

4

Tips.jpg

I’ve always wanted to do a painting with musicians. I was lucky enough to have an accomplished bass player take painting classes from me. I went to a club where he and a pianist were playing. It was exactly what I was looking for.

You can see the reflection of his head on the wall behind him and there is a highlight on his forehead as well. Light is coming in  from the blinds. The bass player’s arm has the reflected light from them and you can see the piano player’s shoulder  lit up. A glass is set on the piano to collect tips. I decided to include it in the painting to add interest. You can see the bass player’s arm through it. Highlights are on one side, and money is inside of it.

6

Chicago.jpg

A few years ago my wife and I met my sister and her husband in Chicago. I remember walking down the street and having this view open up to us. I was overwhelmed by it’s grandeur.

I’ve tried to paint the feeling I had that day. I put the buildings high on the canvas with people below to give the appearance of how immense the buildings were. If you look to the right you see yellow light flowing over the city from the afternoon sun. The left sides of the buildings are purpled in shadow. I have used atmospheric perspective. The people closest are larger than the ones that are further away. There are small cars in the center. I’ve used linear perspective as the road is wide at the front and narrows as it goes to the rear. These things make it feel like there is depth in the painting.

6

Afternoon Sun.jpg

I just finished painting this picture. It really shows my artistic personality. It really flowed when I painted it because it is MY type of painting.

This is in Greek Town in Detroit. I have tried to show the intensity of the afternoon sunlight. With the sun nearly overhead the road and the sidewalk both appear almost white. The woman is backlit. Notice the highlights on the back of her legs and on the man’s arms. There are shadows from the people, the truck, and the flags that are hung over the road. Sunlight highlights the yellow vest on the man. The painting is done with strong one-point perspective, giving the impression of depth – you can walk into the picture and down the street.