8

canoe[1].jpg

I’ve always loved taking my son canoeing. We’ve paddled in lakes and rivers from coast to coast. A favorite location is on the Green River in Mammoth Cave National Park. This is a portrayal of us as we drifted downstream.

You will notice the atmospheric perspective with the trees closer to the viewer. They are darker and greener giving the impression of shade. They also appear nearer to the viewer than the canoe. They are more defined than the trees on the other bank – there is no definition of them, and they are very light. On the right side of the painting the riverbank is showing. You can see reflections in the water. The canoe can be seen from the back. My back is showing and you can see my life jacket, while son’s head is seen above. The paddle is sticking out to the side.

8

snowy-barn[1].jpg

Yesterday was the first major snowfall in the Indianapolis area this year. In honor of the occasion, I want to tell you about this painting.

I had taken my wife to Bloomington North High School where she accompanied a singer at a music festival. It had snowed heavily, and the car slid all over the road. On the way home we took a back road. Off to the side, I saw this beautiful red barn back in the woods. It was gorgeous with the snow and dark trees around it.

You will notice that the snow isn’t all the same color. It is darker up front because it is in a shadow. I have used atmospheric perspective – trees are painted in front of the barn to give it a feeling of depth. I was able to put the barn and the snow in, but I struggled with the woods in the background behind and above the barn. My wife suggested I paint in a small section at a time – between trees. I tried that. It helped me to not be overwhelmed by what I needed to do. I wanted to give the feeling of snow in the branches and the frosty air. I didn’t quite know how to make the air look cold, so I used a cool color – blue, to create that atmosphere.

6

flora-blanca1[1].jpg

When my son got his master’s degree at Miami University in Oxford, Ohio, my wife and I were able to accompany him to the home of the president of the University. There was an open house for all the graduates and their parents. I was very impressed with the home, and especially the yard. Flowers were blossoming everywhere. Their scent perfumed the air. I was especially impressed with the blossoming dogwood trees as they were silhouetted against the late afternoon sun.

I had to try to recreate the magic of the blossoms. You can see the direction of the sunlight that hit the petals. It comes from the left side of the painting. There is a brilliant yellow white. The shadow side is blue and violet. You see the sun and shadow on the leaf, and the dark background gives the scene a dramatic contrast.

8

closing-late[1].jpg

I had been at an art opening in Rising Sun, Indiana. It is a scenic little town on the shores of the Ohio River near Cincinnati. The show was over and my son and I were taking things across the street to my car. It had been raining. As we turned around and looked at the buildings, we were blown away by the beautiful reflections in the street! I knew I had to paint that scene.

The bright store front and street lights make yellow and white reflections. The reflections on the side of the building are strictly from the light coming out of the windows. Another interesting note is that you don’t see the top of the building on the side. The sky and the building are both dark, so all that is seen are the windows. Your mind puts in the roof line even though it isn’t visible. The lone car is waiting for someone to close up shop and to take it home.

9

piazza-of-san-marco[1].jpg

This painting is in Venice. I have tried to give it depth by using atmospheric perspective – the people who are closer are larger, the ones further away  are painted smaller. The closer ones have more detail than the ones further back. I wanted to make it look like it is raining. Notice all the umbrellas. You see reflections on the ground so you’ll know it is wet. Another thing I did to add interest was to have the vendor wear yellow and include a child who is talking to him. Of course one of the main things to look at is the cathedral with it’s domes.

I included pigeons on the ground because It reminded me of my grandson. He chased pigeons at public squares in Madrid, Paris, Rome, London, and many other locations. He was about six years old. He would see them, then run as fast as he could, making them scatter.

3

coming-and-going[1].jpg

I had been to the Indiana State Fair. I was intrigued by the people I saw. They were all sizes and shapes and every color.

When I tried to paint what I’d seen, I used atmospheric perspective to give a feeling of depth. I had the closest people larger, with more distinct coloring. Note the woman with her two children. As the people were further back, the detail in their faces began to fade. The man pushing the stroller has some features showing, but the people in the top right of the painting have no facial characteristics. Your mind automatically puts that info in for you. Also the ones further back are smaller and the colors fade.

8

Clarinet1.jpg

My wife wanted me to paint a still life. I told her to go ahead and set up the scene, but make sure it was somewhat difficult. She pulled out her clarinet. She played it in Junior High. I don’t know if it has seen the light of day since then.

I lit everything from the right side. Notice the reflected light on the bottom of the bell and the light directly from the lamp. The mouthpiece cover has the same type of lighting.

4

Tips.jpg

I’ve always wanted to do a painting with musicians. I was lucky enough to have an accomplished bass player take painting classes from me. I went to a club where he and a pianist were playing. It was exactly what I was looking for.

You can see the reflection of his head on the wall behind him and there is a highlight on his forehead as well. Light is coming in  from the blinds. The bass player’s arm has the reflected light from them and you can see the piano player’s shoulder  lit up. A glass is set on the piano to collect tips. I decided to include it in the painting to add interest. You can see the bass player’s arm through it. Highlights are on one side, and money is inside of it.