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Chicago.jpg

A few years ago my wife and I met my sister and her husband in Chicago. I remember walking down the street and having this view open up to us. I was overwhelmed by it’s grandeur.

I’ve tried to paint the feeling I had that day. I put the buildings high on the canvas with people below to give the appearance of how immense the buildings were. If you look to the right you see yellow light flowing over the city from the afternoon sun. The left sides of the buildings are purpled in shadow. I have used atmospheric perspective. The people closest are larger than the ones that are further away. There are small cars in the center. I’ve used linear perspective as the road is wide at the front and narrows as it goes to the rear. These things make it feel like there is depth in the painting.

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Afternoon Sun.jpg

I just finished painting this picture. It really shows my artistic personality. It really flowed when I painted it because it is MY type of painting.

This is in Greek Town in Detroit. I have tried to show the intensity of the afternoon sunlight. With the sun nearly overhead the road and the sidewalk both appear almost white. The woman is backlit. Notice the highlights on the back of her legs and on the man’s arms. There are shadows from the people, the truck, and the flags that are hung over the road. Sunlight highlights the yellow vest on the man. The painting is done with strong one-point perspective, giving the impression of depth – you can walk into the picture and down the street.

5

I love the night-time reflections in the road when it is raining.  I have enjoyed trying to paint those kinds of scenes.  On some rainy nights I grab my camera and tripod so I can capture the beautiful colors in the wet roads.

slippery-noodle[1].jpg

On one night I drove to downtown Indianapolis. I was especially excited when I saw the Slippery Noodle. It is the oldest bar in the city. There were reflections from all the neon signs as well as the lights from inside. The taillights and headlights of the passing cars made great reflections as well.

I set up my tripod and started shooting. Soon, someone came running out with a plastic bag. They saw me out there and wanted me to put it over my camera so it wouldn’t get wet.

When I painted this, I looked for shapes of different colors. I saw chunks of white, pink, blue and green in the road area. I put them in. Then I looked at the buildings. I followed the same technique – I drew in the shapes of the different colors and values, then painted them in individually. I didn’t blend the colors together, but kept them separate. It all came together like pieces in a puzzle. By the way, I didn’t use the plastic bag. I dried my camera off with a towel in the car.

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sunflowers[1].jpg

Within a five or ten minute drive from  my home I am in farm land. Cornfields grow right to the sides of the roads. One day my daughter, Nicole, was riding through the rural landscape when she discovered these wild sunflowers poking their blossoms up through the corn. It was as though they were pleading for the sun to wash them with its light.

I have tried to represent their gesture and the dramatic appearance of the petals and leaves. You will see the shadows and light. There are differing shades of green and yellow. The blue sky peeks out between the clouds.

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southside[1].jpg

This painting shows the early morning sunlight flooding over the ground. If you actually look at the color of early morning or late evening sunlight on grass, it is usually a light yellow. Many people just go ahead and paint the grass green, but it is not what they actually see. Since the sun is low to the horizon, the shadows are long. The sunlight is yellow, but the shadowy parts are green. There is a strong highlight on the person and the trees where the sunlight hits them, but a definite shadow on the other side. If you look at the flower pots you will see reflected yellow light which bounces up from the grass to their sides.

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I love Europe. The architecture is fantastic, the art museums are fabulous, and I really enjoy talking to the people there. Probably the thing I like most is walking past sidewalk cafes. It is so much fun to see the people sitting there, eating and talking. Each little cafe has its own atmosphere. I’ve enjoyed painting some of those scenes.

Sidewalk cafe.jpg

This is a cafe in Stockholm. I’ve tried to portray the relaxed feeling of the customers as well as the friendliness of the waitress. The people up close are detailed, while the ones further back don’t have the same coloring or shading. Notice the different skin tones on the three people up close, as well as the light and shadows.

drinks-on-boulevard[1].jpg

This scene is from Montmatre in Paris. I’ve concentrated more on trying to develop personality in the subject’s faces. You can imagine what they may be thinking or saying. In the bottom left corner I’ve painted three people in their own intimate group, while the other two are leaning close together for their private gossip. The top left shows someone in a doorway and to the far right are more customers. If you go to Montmatre you know that many tourists are walking past these people as they sit. Maybe they are what the subjects are talking about.

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At the very center of downtown Indianapolis is a circle. In the middle of it is a tall structure known as the “Soldiers and Sailors Monument,” so the circle has been named “Monument Circle.”

I’ve wanted to do a painting of the circle for a long time. I knew I needed a view from above. One day I went with my camera to some of the buildings surrounding the circle to see if I could take some pictures. I wasn’t having any luck finding observation decks that were open. Finally I went to the tallest building. I got out my business card and and told the guard at the desk that I was an artist and needed to do a painting of the circle. He told me to go to the various floors and ask the businesses if I could take pictures out of their windows. That is what I did. I liked the view from about halfway up, about the 25th floor. The people were very willing to let me go in their offices for the view.

I wanted to do a large painting. I stretched my own canvas. It is 72″ x 48″. Here I am trying to paint it:

painting-monument-circle[1].jpg

I had to block it in first. You can see the shapes I started with. I painted them separately just so I could tell them apart. I tried to figure out which direction the sun was shining so I could add shadows and light.

monument-circle[1].jpg

Here is the finished product. Note the windows, shadows, and even tiny cars on the circle. It was pretty fun to paint. The only problem was getting a painting this big to the gallery. I don’t remember how I did it, but it’s hanging on their wall.

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Before the Pilgrims sailed for America on the Mayflower, they moved to Leiden in Holland so they could have religious freedom. After a few years they decided they needed to leave because their children had picked up much of the Dutch culture. They were concerned about preserving their English heritage. They left Leiden to go back to England. From there they sailed to America.

My ancestors were part of that group. They sailed to America on the Mayflower. I was excited when my daughter took my wife and me to visit Leiden where our ancestors lived four hundred years ago. We walked the streets and found where they lived. There is a monument dedicated to them.

leiden[1].jpg

This painting shows a canal in Leiden. Boats are pulled to the sides. Cars park right at the edge. You can see that I have tried to portray the reflections in the water of the boats, the colorful buildings and the trees. The portrayal of the cars is very simple – just a stripe or two of color.

Happy Thanksgiving.