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coming-and-going[1].jpg

I had been to the Indiana State Fair. I was intrigued by the people I saw. They were all sizes and shapes and every color.

When I tried to paint what I’d seen, I used atmospheric perspective to give a feeling of depth. I had the closest people larger, with more distinct coloring. Note the woman with her two children. As the people were further back, the detail in their faces began to fade. The man pushing the stroller has some features showing, but the people in the top right of the painting have no facial characteristics. Your mind automatically puts that info in for you. Also the ones further back are smaller and the colors fade.

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Clarinet1.jpg

My wife wanted me to paint a still life. I told her to go ahead and set up the scene, but make sure it was somewhat difficult. She pulled out her clarinet. She played it in Junior High. I don’t know if it has seen the light of day since then.

I lit everything from the right side. Notice the reflected light on the bottom of the bell and the light directly from the lamp. The mouthpiece cover has the same type of lighting.

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Tips.jpg

I’ve always wanted to do a painting with musicians. I was lucky enough to have an accomplished bass player take painting classes from me. I went to a club where he and a pianist were playing. It was exactly what I was looking for.

You can see the reflection of his head on the wall behind him and there is a highlight on his forehead as well. Light is coming in  from the blinds. The bass player’s arm has the reflected light from them and you can see the piano player’s shoulder  lit up. A glass is set on the piano to collect tips. I decided to include it in the painting to add interest. You can see the bass player’s arm through it. Highlights are on one side, and money is inside of it.

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Chicago.jpg

A few years ago my wife and I met my sister and her husband in Chicago. I remember walking down the street and having this view open up to us. I was overwhelmed by it’s grandeur.

I’ve tried to paint the feeling I had that day. I put the buildings high on the canvas with people below to give the appearance of how immense the buildings were. If you look to the right you see yellow light flowing over the city from the afternoon sun. The left sides of the buildings are purpled in shadow. I have used atmospheric perspective. The people closest are larger than the ones that are further away. There are small cars in the center. I’ve used linear perspective as the road is wide at the front and narrows as it goes to the rear. These things make it feel like there is depth in the painting.

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Afternoon Sun.jpg

I just finished painting this picture. It really shows my artistic personality. It really flowed when I painted it because it is MY type of painting.

This is in Greek Town in Detroit. I have tried to show the intensity of the afternoon sunlight. With the sun nearly overhead the road and the sidewalk both appear almost white. The woman is backlit. Notice the highlights on the back of her legs and on the man’s arms. There are shadows from the people, the truck, and the flags that are hung over the road. Sunlight highlights the yellow vest on the man. The painting is done with strong one-point perspective, giving the impression of depth – you can walk into the picture and down the street.

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I love the night-time reflections in the road when it is raining.  I have enjoyed trying to paint those kinds of scenes.  On some rainy nights I grab my camera and tripod so I can capture the beautiful colors in the wet roads.

slippery-noodle[1].jpg

On one night I drove to downtown Indianapolis. I was especially excited when I saw the Slippery Noodle. It is the oldest bar in the city. There were reflections from all the neon signs as well as the lights from inside. The taillights and headlights of the passing cars made great reflections as well.

I set up my tripod and started shooting. Soon, someone came running out with a plastic bag. They saw me out there and wanted me to put it over my camera so it wouldn’t get wet.

When I painted this, I looked for shapes of different colors. I saw chunks of white, pink, blue and green in the road area. I put them in. Then I looked at the buildings. I followed the same technique – I drew in the shapes of the different colors and values, then painted them in individually. I didn’t blend the colors together, but kept them separate. It all came together like pieces in a puzzle. By the way, I didn’t use the plastic bag. I dried my camera off with a towel in the car.

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sunflowers[1].jpg

Within a five or ten minute drive from  my home I am in farm land. Cornfields grow right to the sides of the roads. One day my daughter, Nicole, was riding through the rural landscape when she discovered these wild sunflowers poking their blossoms up through the corn. It was as though they were pleading for the sun to wash them with its light.

I have tried to represent their gesture and the dramatic appearance of the petals and leaves. You will see the shadows and light. There are differing shades of green and yellow. The blue sky peeks out between the clouds.

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southside[1].jpg

This painting shows the early morning sunlight flooding over the ground. If you actually look at the color of early morning or late evening sunlight on grass, it is usually a light yellow. Many people just go ahead and paint the grass green, but it is not what they actually see. Since the sun is low to the horizon, the shadows are long. The sunlight is yellow, but the shadowy parts are green. There is a strong highlight on the person and the trees where the sunlight hits them, but a definite shadow on the other side. If you look at the flower pots you will see reflected yellow light which bounces up from the grass to their sides.